'The Global as trope-ical'
Current issue of Meridian: Newsletter of the Global Studies Center (Gulf University for Science and Technology):
Ben Bennett-Carpenter, "The Global as Trope-ical."
Years ago the literary and cultural theorist Kenneth Burke (1945/1969) outlined what he called the “Four Master Tropes”: metaphor, metonymy, synecdoche, and irony/dialectic. If we put these four tropes up as lenses in front of what we call the “global” we get some interesting perspectives.
"Sound experience, feeling sound"
"Sound Experience, Feeling Sound: Alan Nakagawa and the Point of Turn Project"
by Benjamin Bennett-Carpenter
"Point of Turn emerged from an invitation by Prospect Art to the sound artist Alan Nakagawa. The project is conceived to invite individuals to share their stories of themselves or someone they know leaving organized religion, shaping the results into a sound composition. Benjamin Bennett-Carpenter was invited to consult, converse, and write about the project as it developed and was completed. As the Point of Turn project synopsis describes, 'The framework of the work is an analog stretching (inspired by data stretching) of the verse and chorus of 1970s pop hit ‘I’m Not In Love’ by 10CC. Working with vocalists Evelyn Davis and Steven Speciale, Nakagawa recorded them singing the chromatic scale. Then he used those recordings to form the chords used in the 10CC song and constructed an elongated choral work using those recordings. The various anonymous stories Prospect Art collected through an open call have been folded into the choral tracks. Also added into the work are frequency clusters from Royal Rife’s scientific experiments of the 1930s. This drone-like sound recording was then mixed to be experienced as a vibratory sound experience.'
Benjamin Bennett-Carpenter teaches at a public university in North America and consults/coaches at Sollars & Associates and independently.